newborns

Introducing Baby Caroline


A couple of years ago, I was struggling with deciding whether or not my husband and I were finished adding to our family. I'd always pictured myself having a larger family. Four was my number, and then I'd see where to go from there. Now, here I was at "just two", debating on whether or not our family was meant to be larger than a party of 4. Ultimately, we found our family complete. 

I've always been confident in my decision, but that doesn't mean I don't love to hold and cuddle sweet little babies. Working with newborns and their families is the best of both worlds - I can get my baby fix but pass the baby back when it comes to diapers, feeding in the middle of the night... all that "other" stuff! How wonderful to get my baby fix, but also see how much my former newborns have grown into such sweet, chatty, beautiful big sisters!











Introducing Neve and Aksel

While I wouldn't call myself a birth photographer, when someone asks if you'll be part of one of the biggest days of their lives, you don't say no based on technicalities. I'm not a food critic either, but I never turn down a warm brownie! The invitation into a delivery room is an extremely flattering one, and one I received from Liese and Craig last month. In case you're unfamiliar with how the whole birthing thing works, it involves ones most private of areas on full display. Not only is it on display, it's what one might call "the main attraction". This otherwise awkward experience was perhaps made easier by my longstanding friendship with Liese -- we've been friends since we were 12 -- and I was also there for the birth of her daughter, Leila. It was such an incredible experience, witnessing a birth as a spectator vs. being the patient. I was absolutely ecstatic to be able to share in the experience again for the birth of their baby boy and baby girl. Yes, twins.   


*All of the photographs in this series are modest and safe for work.




I can't believe I almost missed this. I take one vacation each year, and Liese was scheduled for an induction halfway into the week that I would be gone. About a week prior to my departure, we touched base often. While most girlfriends text back and forth about clothes, food, maybe complaints about their husbands or messy kids, we were discussing centimeters and what exactly it meant to be "80% effaced". Luckily, with just a few days to spare, Liese was admitted to the hospital for signs of preeclampsia around 8pm, and it was go-time. I started gathering my own hospital bag - my D750, my 35mm and my trusty 24-70mm lenses. I made sure all of my batteries were charged and my memory cards were ready. And then, I waited. 

Around 11PM, I texted Craig to see where we were at. Should I pop a Coke open and stay up or should I try and get some rest? They advised me that the nurses hadn't even hung the pitocin (a drug that helps move labor along) and I should be safe to get some rest. I got into bed and made sure that my phone ringer was as loud as it could go, my sound was on and went to sleep. 

Around 4:10AM, I was awoken not by my cell phone ringing or the receipt of a text message. Instead, my husband was receiving a phone call - from a telemarketer. I was groggy and wasn't sure if it was his phone or my phone. Instinctively, I reached for my phone and saw that just 5 minutes earlier, I had a missed call that I never heard, and Liese's mom had text messaged me - "She's completely dilated. Hurry."

I think it is safe to say the telemarketer call was heaven set. You see, while I had done everything I could to make sure I would hear a phone call or a text message, I hadn't actually. At night, my phone goes into what's called a "Night Shift". Rendering my ringer and message alerts silent. Because I forgot to disable this little feature (that turns on automatically), my phone would have never rung, and never made a peep no matter how many messages I received.  So, telemarketers, for the first, and probably last time ever, from anyone - thank you.

I jumped out of bed and threw on the clothes I had set aside in the bathroom, brushed my teeth (you're welcome everyone) and ran downstairs, grabbed my camera bag and ran out the door. I'm texting updates of what street I am on every few minutes, in hopes that they'll wait for me and keep those babies in! Originally I had asked to be notified when she was at 7 centimeters, but Liese progressed so rapidly there wasn't any time. I parked my car and ran full speed with my gear bag over my shoulder, and verified without stopping that labor and delivery was still to the right. He pointed me over (I realized afterwards I should have had to sign in and receive a badge) and at last, I arrived. Out of breath, and very out of shape, but I made it. 




Twin pregnancies are usually considered high-risk. To ensure Liese's safety as well as that of her unborn son and daughter, the delivery took place in an operating room just in case surgical intervention was necessary. Amazingly, I was fortunate enough to be able to accompany Liese and Craig into the OR with Dr. Williams -- Dr. Williams had also delivered my son Brody, almost 5 years earlier. I had strict instructions as to where I was allowed to stand (in one spot, directly behind Liese's head), and let me tell you, my calves got a workout! Each time Liese would push, I'd get on my tippy toes and do my best to see how she was progressing. (Also, props to doctors and nurses. Aside from their amazing ability to save lives and bring tiny humans into the world, they can keep those masks on like it's no big deal. Those things are truly, truly awful.) 







Neve Charlotte Walton
Born at 6:00AM
5 pounds 14 ounces









Aksel Jonas Walton
Born at 6:05AM
4 pounds 10 ounces









To tell the babies apart, the first delivered baby is given a single clamp on their umbilical cord, and the second baby receives two. This enables parents to tell the babies apart without having to check the diaper or ID tag on the ankle of the baby.  
















And just like that, the Waltons became a family of 5. Okay, I think Liese would take umbrage with "just like that", but to me, she did absolutely perfect and made it look so effortless. I am so blessed to have been able to share this day with Craig and Liese and also share these images with all of you. Most of all, I am so blessed to call this beautiful momma my friend. 


The Michon Family

A few weeks ago I had the opportunity to photography my friend Kelly and her sweet family while they were home for the weekend visiting family. Originally from the Leesburg area but currently living in the magical city of New York, Kelly longed for some green landscape for her portraits. We found a beautiful location and aside from the attack of the gnats, we couldn't have asked for better weather and better lighting. This session was even more special because it showed off their sweet newborn, little Scarlett. Can I say how much I loved photographing a newborn outdoors?! I loved catching up with the Michon family and loved the outcome of our hour together. Here are just a few of my very favorites!



























The Lundwall Family

This past January I had the amazing chance to shoot a destination wedding in Utah. It was my first wedding outside of my normal shooting area in DC, which was really exciting for my business and it was just plain awesome. The trip was made even better by the fact that my best friend lives in Utah and she brought home a new baby girl the same day that I arrived! I couldn't pass up the opportunity to photograph her sweet new family of 5. Here are some of my favorites from their quick session in their home during my trip!

















Behind the Scenes of a Newborn Session

Newborn sessions are really special. When new babies arrive, it's typically only friends and family that are invited into an infant's new home to meet them in those first few days of life. First time parents can be especially cautious, sometimes hibernating for weeks and months at a time. Being invited into a clients home during that time is especially humbling and not something I take for granted. 

This post has been a long time coming, as I've been eager to share my tips and tricks for a successful newborn session, for both clients and photographers to learn from. Plus, behind the scenes posts are some of my favorite to both read and write!

Tip #1 - I bring very few, but very important items!

When packing up for a newborn session, I typically travel light. As a lifestyle photographer, I leave behind props, blankets, lights, and backdrops that a prop or studio photographer might use. Instead, I bring a few of my favorite wraps, one or two neutral blankets, rice heat packs (which make great risers/posers for sleeping babies to give them extra lift in some areas) and other essentials.


I recommend to my newborn parents before the session to turn down the A/C or turn up the heat in their home. In addition, I bring my own space heater to create a little sauna for our baby. Parents may wonder why it needs to be so hot, or perhaps it's so hot that the baby might be uncomfortable. It's actually quite the opposite. A warm baby is a happy baby! It's easy to forget that inside mommy's tummy it was a warm and snuggly 98.7 degrees. The 72 degree A/C is pretty chilly for a baby fully dressed, but just imagine how cold that is when you're in your birthday suit. 

If parents are using plugs or pacifiers, we'll use them in between shots to help calm the baby. When it's time to shoot, I'll ask mom or dad to "pull the plug"

One of my other great resources is a white noise app. I can't sleep without it myself, and it really helps babies eliminate background distractions. Even just simple talking or laughing between myself and the clients can jar a baby awake, starting over the "get the baby to sleep" process. I find that the heater and the white noise lend most to a successful newborn session.

Tip #2 - I ask Mom to step out during the session

When beginning a newborn session, I like to start with the family images on the bed. Mom and Dad holding the baby is a great way to ease into the session and allow parents to get more comfortable with me before they allow me to start handling the baby on my own. I only like to work with babies as long as they allow me to, so starting with important family images is key to my workflow.

Once it's time to work one on one with the baby, parents are welcome to stay and watch. Other parents love to have a break (many have had sleepless nights) and some even take a nap! However, there are times when I may ask Mom to step out.


Especially with nursing mothers, babies can smell a mother when she's near. After 9 months in her belly, they can also identify her voice and can become uneasy or stressed. Only when parents are okay with this, do I work alone with a baby. It's amazing how quickly I can put a baby to sleep when it's just me, the white noise, and a warm room. Once the baby has settled down, it's not uncommon for mom and dad to sneak back in and enjoy the rest of the session.

Tip #3 - I bust out The Kelli Swaddle™ and the Soothing Trifecta™

When babies are in the womb, they're used to being in very tight and confined quarters. Their new found freedom with their limbs can be stressful and dare I even say scary? A lot of prop and studio photographers prefer to have babies come in within 14 days because their "reflex" or something hasn't developed yet. Regardless of whether or not that is actually true, I find even the newest of babies relax much better when they are swaddled. 



Secondly, sometimes after mom has left the room, I used the Soothing Trifecta™ to get babies to sleep. Once they can't smell mom and there's no feeling of tension from me (sometimes parents can get flustered when their baby isn't "performing") I turn on the Trifecta: dipping with my legs, rotating my waist from side to side and patting the bum. As Rachel Greene would say, "Every. Time."

Tip #4 - Baby safety always comes first!

In addition to simple things like being up to date on all my boosters and vaccinations, washing my hands before we begin and asking permission to handle an infant, one thing a lot of new photographers don't understand is that many of the images produced by veteran photographers are composites, meaning they've taken more than one image and cut and pasted into one image. For example, Dad may be holding baby's head up or Mom is acting as a "spotter" on the side of a chair or basket, but in the final image you don't see either. CLIENTS: If a photographer ever puts your baby on the edge of a bed, a bucket, chair, etc. they should ALWAYS ask you or an assistant to be nearby. It only takes a second for a baby to jerk awake or pick their head up enough to shift their weight in such a way that would cause them to fall. It is absolutely okay to tell a photographer you are not comfortable with something. More often than not, in lifestyle photography, I'm able to avoid situations like this altogether by keeping babies in the center of the bed and with mom and dad for almost the entirety of the session.

Tip #5 - I take my time. The baby is my boss!

Babies really dictate a newborn session. They poop and eat around the clock, sporadically. Because they're so new, many don't really have a schedule yet. The world outside the womb is new and scary, so it's not uncommon for babies to be unhappy. Newborn sessions are always longer do to the breaks that are needed and the time it can take for a baby to fall asleep. I spend a lot of time just simply holding a baby in place until they settle, or getting them to hold a position long enough for me to snap the shot. I find that being a mom has helped me immensely in dealing with newborns - not only handling them but I don't get flustered or frustrated when they cry. I simply wait, because with great patience comes great results.



*Special thanks to Chance and Jenny Hammock for not only letting me photograph their gorgeous little girl, but also thanks to Chance for capturing these behind the scenes images for me!
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