Jacyln's Beach Session - Northern Virginia Photographer

It was a blast working with Jaclyn and her girls again, who remain some of my best customers and clients. I can say that, as this was my fifth session working with them! When you've done so many sessions together, you really have to brainstorm new locations when you've exhausted all the rest. With it being the summer I thought it might be more fitting to shoot on the beach, but with the ease and locality of the Potomac River. I haven't shot at this location in over 5 years and looking at these images I honestly do not know why. It was absolutely gorgeous night and my favorite mini-session with these sweet girls to date!













Kirsten & Matt - Northern Virginia Wedding Photographer

I'll let the pictures tell the story, but this wedding was one of the most beautiful I have shot to date. Kirsten and Matt were really able to refine all the details for their intimate evening at the Ritz Carlton Hotel, in Mclean, Virginia. I was so honored to be on the guest list and to capture their special day. My family has known Kirsten and her parents for over 20 years, so it was a natural fit for me and I grew to just adore Kirsten's husband Matt. Surrounded by family, they married on June 21, 2014. If you remember back to their engagement session, that took place on the last day of summer in September and their wedding day took place on the first day of summer the following year. Perfect timing for a perfect day! 

From a wedding dress with pockets (love!) to the groom and best man glued to the World Cup, here are just a few of my favorites from their wedding day:






















































































Second Photography Extraordinaire: Chance Hammock, Chance Hammock Photography
Venue: Ritz Carlton of Tyson's Corner
Bride's Dress: Alfred Angelo
Hair and Makeup: Morgan and Sarah of Premiere Makeup & Hair
Groom's Tux: Men's Warehouse
Cake: Ritz Carlton of Tyson's Corner
Catering: Ritz Carlton of Tyson's Corner
Harpist: Kate Rogers


Coordinating Large Family Photos

What do you think of when you hear the word 'Summer'? Immediately I think of The Sandlot, going to the pool, popsicles, BBQing out on the deck, and my kids going to bed way later than they normally do.

What else comes to mind? Family Reunions.

Whether or not that makes you cringe or gets you excited, summer vacations are often spent with family. Grandma might request a proper family picture, which makes sense since it's often the only time families come together, sometimes after years at a time. No matter how big or small your extended family might be, coordinating a large family portrait can be complicated and stressful, but there are tips to making it easier. How do I know? Well, I personally coordinated my own family picture this past June!


This past year I grew jealous of all the "over the mantel" worthy family portraits I had taken for my clients, especially the extended family session I did for the Bartko family. With a few weeks to go before our family reunion (we just call it "The Beach"), I sent out an email to my family with all the details and the biggest headache behind planning a session: what to wear.

STYLING YOUR SESSION: I've talked in great detail about how to best style your session, but with 28 people to coordinate, many might throw their hands up before they even begin. I decided to make it as easy as possible for all of us involved. I chose a color palette that was very gender neutral and that contained colors that everyone has in their closet. Since you're already on vacation and have spent money to prepare and travel, it's best if you can eliminate any additional expense.

Navy, Light Blue, Khaki, Yellow and White

If white shirts and khakis is the only way you can think to coordinate and make a family photo happen, by all means, do it. Time is precious and it's better to take any photo than none at all. However, by simply giving your family members a palette to choose from, they can incorporate their own style and personality into their looks which makes a family photo all that more precious and unique.

ADAPTING: With a large group, you're going to have a lot of personalities and temperaments, especially when dealing with children. Our dream was to take the photo above at the beach, but it was incredibly windy the day we set out to take our photo. The ocean waves only escalated that. I probably don't need to say it, but wind =/= hair do not mix. Also? Children =/= Ocean, too tempting. We scratched our initial plan in favor of another location within walking distance, with less wind, and plenty of shade for optimal lighting. 

CHOOSING A PHOTOGRAPHER: Of course, I have a business to run, so I would encourage you all to invest in a photographer for your family portrait needs! However, large family groups can be much more expensive to invest in. Why? Well, 28 people. Let me just sit that with you for a moment. Large family groups will typically involve a lot of coordination, more frames (and often, head swapping to get everyone just right which involves more extensive editing in post), and more poses. I like to incorporate not only a large family group portrait but also individual smaller family portraits, and singles of each child if I can. etc. There are advantages to large portraits however - if each family unit chips in, the cost of a session could actually be less expensive than if you were to invest in a session on your own.  

For our family portrait, we opted for no photographer. Blasphemy? Perhaps. However, I wanted full control over the images and editing the final product. (Most photographers opt to trade in that instance, and being from out of town a trade would not have been possible.) Since we only wanted to take 15-20 minutes for our family portrait, such a short session would not have been worth the time for a photographer to take out of their schedule. In our case, a tripod and remote was efficient for the needs of our family - only a few portraits were needed with me in it, and the remainder I was able to take myself. My awesome nephew (who uses SLRs frequently for his video projects) was able to work my camera and take awesome photos when I was needed in front of the lens. Photography runs in the family, clearly.


After a few outtakes while we tried to get the tripod and remote control just right, we finally figured it out and snapped many portraits so there would be plenty of "heads" to choose from. It's ambitious to think you can get 28 people to look at the camera all at once with perfect smiles, but it's not practical!

COMMUNICATION: When going into a large group session, it's important to know what shots/pairings you want and communicate them with your photographer. In this case, that person was me. I knew what shots I wanted and we whipped through them before anyone could wander off. This saved time and saved the session from going haywire. Communicating this with your family helps as well, so everyone is on the same page.

Capturing an image of just the "original" bunch was very important to me.

Speaking of "originals", I think these two lay claim to that title!



A less formal shot of the Grandkids - all 17 of them!

Each family snapped an individual shot as well, so that all of the families have coordinating images. 

I can't begin to tell you how exciting it is for me to finally have these photos. When I first saw everyone in the beach house getting ready, everyone looking so polished and coordinated, I was on the verge of tears. It was a vision finally coming to fruition, and more importantly, I just think my family kind of rocks. These will be images I will cherish for many, many years to come. 

*For more help on styling your photo session, check out more do's and don'ts here!
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Behind the Scenes of a Newborn Session

Newborn sessions are really special. When new babies arrive, it's typically only friends and family that are invited into an infant's new home to meet them in those first few days of life. First time parents can be especially cautious, sometimes hibernating for weeks and months at a time. Being invited into a clients home during that time is especially humbling and not something I take for granted. 

This post has been a long time coming, as I've been eager to share my tips and tricks for a successful newborn session, for both clients and photographers to learn from. Plus, behind the scenes posts are some of my favorite to both read and write!

Tip #1 - I bring very few, but very important items!

When packing up for a newborn session, I typically travel light. As a lifestyle photographer, I leave behind props, blankets, lights, and backdrops that a prop or studio photographer might use. Instead, I bring a few of my favorite wraps, one or two neutral blankets, rice heat packs (which make great risers/posers for sleeping babies to give them extra lift in some areas) and other essentials.


I recommend to my newborn parents before the session to turn down the A/C or turn up the heat in their home. In addition, I bring my own space heater to create a little sauna for our baby. Parents may wonder why it needs to be so hot, or perhaps it's so hot that the baby might be uncomfortable. It's actually quite the opposite. A warm baby is a happy baby! It's easy to forget that inside mommy's tummy it was a warm and snuggly 98.7 degrees. The 72 degree A/C is pretty chilly for a baby fully dressed, but just imagine how cold that is when you're in your birthday suit. 

If parents are using plugs or pacifiers, we'll use them in between shots to help calm the baby. When it's time to shoot, I'll ask mom or dad to "pull the plug"

One of my other great resources is a white noise app. I can't sleep without it myself, and it really helps babies eliminate background distractions. Even just simple talking or laughing between myself and the clients can jar a baby awake, starting over the "get the baby to sleep" process. I find that the heater and the white noise lend most to a successful newborn session.

Tip #2 - I ask Mom to step out during the session

When beginning a newborn session, I like to start with the family images on the bed. Mom and Dad holding the baby is a great way to ease into the session and allow parents to get more comfortable with me before they allow me to start handling the baby on my own. I only like to work with babies as long as they allow me to, so starting with important family images is key to my workflow.

Once it's time to work one on one with the baby, parents are welcome to stay and watch. Other parents love to have a break (many have had sleepless nights) and some even take a nap! However, there are times when I may ask Mom to step out.


Especially with nursing mothers, babies can smell a mother when she's near. After 9 months in her belly, they can also identify her voice and can become uneasy or stressed. Only when parents are okay with this, do I work alone with a baby. It's amazing how quickly I can put a baby to sleep when it's just me, the white noise, and a warm room. Once the baby has settled down, it's not uncommon for mom and dad to sneak back in and enjoy the rest of the session.

Tip #3 - I bust out The Kelli Swaddle™ and the Soothing Trifecta™

When babies are in the womb, they're used to being in very tight and confined quarters. Their new found freedom with their limbs can be stressful and dare I even say scary? A lot of prop and studio photographers prefer to have babies come in within 14 days because their "reflex" or something hasn't developed yet. Regardless of whether or not that is actually true, I find even the newest of babies relax much better when they are swaddled. 



Secondly, sometimes after mom has left the room, I used the Soothing Trifecta™ to get babies to sleep. Once they can't smell mom and there's no feeling of tension from me (sometimes parents can get flustered when their baby isn't "performing") I turn on the Trifecta: dipping with my legs, rotating my waist from side to side and patting the bum. As Rachel Greene would say, "Every. Time."

Tip #4 - Baby safety always comes first!

In addition to simple things like being up to date on all my boosters and vaccinations, washing my hands before we begin and asking permission to handle an infant, one thing a lot of new photographers don't understand is that many of the images produced by veteran photographers are composites, meaning they've taken more than one image and cut and pasted into one image. For example, Dad may be holding baby's head up or Mom is acting as a "spotter" on the side of a chair or basket, but in the final image you don't see either. CLIENTS: If a photographer ever puts your baby on the edge of a bed, a bucket, chair, etc. they should ALWAYS ask you or an assistant to be nearby. It only takes a second for a baby to jerk awake or pick their head up enough to shift their weight in such a way that would cause them to fall. It is absolutely okay to tell a photographer you are not comfortable with something. More often than not, in lifestyle photography, I'm able to avoid situations like this altogether by keeping babies in the center of the bed and with mom and dad for almost the entirety of the session.

Tip #5 - I take my time. The baby is my boss!

Babies really dictate a newborn session. They poop and eat around the clock, sporadically. Because they're so new, many don't really have a schedule yet. The world outside the womb is new and scary, so it's not uncommon for babies to be unhappy. Newborn sessions are always longer do to the breaks that are needed and the time it can take for a baby to fall asleep. I spend a lot of time just simply holding a baby in place until they settle, or getting them to hold a position long enough for me to snap the shot. I find that being a mom has helped me immensely in dealing with newborns - not only handling them but I don't get flustered or frustrated when they cry. I simply wait, because with great patience comes great results.



*Special thanks to Chance and Jenny Hammock for not only letting me photograph their gorgeous little girl, but also thanks to Chance for capturing these behind the scenes images for me!
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Cheryl & Travis, May 3, 2014 - Manassas, Virginia Photographer

What an amazing wedding to start off my season for 2014! Travis and Cheryl were married at the historic and beautiful Bull Run Winery in Centerville, Virginia. We captured their formals at my all time favorite spot, the Manassas Battlefields. It was my first time taking a bride there, so I can check that off my bucket list. Wahoo! The rain earlier in the week led to green grass, blue skies and perfect cool weather for their outside nuptials. Getting to know the couple more throughout the planning process, it was so great to see so many personal touches in the decor, the food, favors, and the event as a whole. From bullet cuff links to the blue grass band adding accompaniment to the cocktail hour, this event was all Cheryl and Travis. Congratulations you guys!
















Love these cuff links! I love my second shooter Chance's shot in general. So perfect with the canon!




































Hands down one of the most creative and unique "guestbooks" I have ever seen!












































As always, this wedding could not have been accomplished in such great detail without the help and aid of my friend and second shooter, Mr. Chance Hammock. Many of these images are his creative work and genius. Thank you Chance! 

Second Photographer: Chance Hammock, Chance Hammock Photography
Venue: The Winery at Bull Run
Portrait Venue: Manassas National Battlefield Park
Bride's Dress: Labella Bridal and Consignment Boutique
Salon: Bellini
Groom's Suit: Brooks Brothers
Bluegrass Band: Smokey Winsted and Bull Run Grass
Harpist: Mark Martin
DJ - DJ Voss, Noah
Photo Booth: Posh Booth
Catering: Amphora Catering
Flowers: Flower Gallery of Manassas