The Day I Became A Stolen Gear Cautionary Tale

If you ever find yourself in a bunch of photography groups on Facebook, every so often you'll see a horror story of a photographer who had their gear stolen. The first question is always "Do you have insurance?" followed by the caution to never do x, y and z - after the fact of course.  I truly never thought I would be one of those stories - until I was.



On the morning of April 10, some bored kids out on spring break "broke in" to my willfully unlocked car and not only stole my backup gear, but my business debit card as well. Oh, and my jumper cables. Savages. I have posted images on my Instagram of my carrying my huge gear bag into stores with me after a session because I am so adamant about not leaving gear in the car. So how did this happen?

I shot a wedding for an awesome couple, Ben and Cortne, on Saturday. I always take my trusty old D7000 with me as a back-up to each wedding. Because the amount of gear I take is already rather heavy, I usually remove the D7000 from my bag and leave it in my car until it may be needed. I so cleverly usually hide it under a jacket or other article of clothing and go about the rest of my day.

After wrapping up the wedding and heading home, I stopped for takeout as a post-wedding celebratory pig out. You other photographers know what I'm talking about! As I was doing the shuffle of grabbing the takeout bag, making sure I took my card, signing the receipt, and not stealing the waiters pen, I slid my card in my camera bag pocket.

Two days later, I rolled over in bed and grabbed my cell phone. I did the usual morning ritual and checked my social media and email. In my email I found 4 credit card receipts that I didn't recognize. Sometimes there is a delay or hold on a card when you shop, but I hadn't used my card since Saturday evening and why would purchases post in the middle of the night? I started to get suspicious and got out of bed and ran downstairs to retrieve my card from my camera bag. When I couldn't find it, I walked out to my car to see if I accidentally misplaced it when returning it to my bag after eating on Saturday. Opening my door, it was easy to see that my car had been torn apart and not only was my credit card missing, but also gone was my trusty back-up camera. Evidently my card hadn't been placed in my bag after all, but somewhere between the bag and the passenger seat in my van.

Always Make Sure Your Gear Is Covered


I should have panicked, but I didn't. There was nothing I could do since both items were gone and I found comfort in knowing that all of my gear is covered by insurance. A quick phone call to my credit card company canceled my card, as well as began the process to get back the $100~ the thieves had spent in the middle of the night. Paypal did a fantastic job in sending out a new card quickly and returning the money to my account within days.

Having insurance on your gear, especially as a professional, is absolutely something you cannot go without. For years I have had an insurance and liability policy with State Farm Insurance. I also added what is often called an Inland Marine rider, which also covers my gear if I am just an idiot and drop my gear during a session, if it falls out of my bag when retrieving it from my car, etc. All the accidentals not usually covered by a basic gear policy. I pay less than $50 a month for added security and hey - a tax write off!

Helpful tip: Don't assume you're covered under your home owners policy. If you use your gear for your business, it most likely is not covered by your home owners insurance. I use USAA, and business gear is NOT covered. It's important to call and check with your insurer. Don't find out the hard way like others have.

Take Pictures of Your Gear and Record Your Serial Numbers


As far as the process to submit a claim to my insurance company, it's pretty straight forward. I have a deductible, and I report the gear that was stolen. While a receipt is helpful, even a simple photograph of my gear would have sufficed. No big long drawn out paperwork trail to recover what was mine.

While filing the police report, in one of the boxes I was asked to provide any serial numbers I had for my gear. Did you know that your camera body and lenses all have individual serial numbers? These numbers can be entered into a national database of stolen camera equipment. Pawn Shops are supposed to cross any items brought in against this list. Luckily, I had jotted down all of my serial numbers when I began the insurance process a few years ago. Having these numbers and an inventory of my gear in one place, on record, made recovering my gear that much easier. Yup - I recovered my stolen camera.

A Happy Ending


Just after finishing the police report (you'll need one of these if you plan on filing a claim with your insurance, if you plan to say the gear was stolen), I was on the phone with State Farm to begin filing my claim. I was talking to my local agent when I got a text message from my husband:


Whhhhaaatttt??? I immediately called my husband (who was at the gym) and as it turns out, all of our belongings were recovered earlier in the morning by our neighbor. At some point, whoever was breaking into cars must have gotten spooked because there were items left haphazardly in the street, piles of items were in the trees on the side of our house (as well as other individuals on our street) and our neighbors turned it over to the police. When they saw my post online, they put two and two together and realized the camera they found must have been mine. They didn't think much of it at the time, because they assumed I'd have had my gear in a nice bag, protected.... not thrown into the backseat and stored under cardigans. I'm still embarrassed by how wrong I did my 7000!





It took a few days of back and forth with the police to recover our items, which turned out to be so much more than just my camera. Amazingly, my camera and the 35mm lens attached to it were in perfect condition. I was so worried when I heard it had been "thrown" in the woods that maybe it had shattered or ruined the integrity of the mechanisms inside. I am so blessed that that was not the case. After retrieving my camera, I promised it that I would never be so insensitive to it again! Ha! It didn't deserve to be the ugly step child since I upgraded, after it had served me so well for so many years.


After a bit more detective work of my own and returning belongings recovered to my neighbors, we found that around 4:15AM when a neighbor was leaving for work, he witnessed a couple teenagers walking around carrying a bunch of items. Noticing how suspicious this looked, he called out to them and that is when they dropped the items and ran. My credit card was used just 15 minutes later at 3 different gas stations in the area.

The Moral of the Story


I am so incredibly lucky to have been able to recover my gear. I never anticipated this story having a happy ending. That said, I was grateful to know that I would have had options. It's so important to protect your business. We do it all the time with contracts, deposits, and making sure we're fairly compensated for our time as photographers. The list goes on. Not protecting the gear that provides our livelihood is just not smart business.

Please make sure your gear is covered. Ask questions - how am I covered if it's stolen? What if it's stolen from my vehicle? Is it covered if I drop it? What would I need to provide if I file a claim?

Second, it's important to keep an inventory of your gear. It's much easier to identify gear among hundreds if not thousands of recovered stolen property if you can identify it by more than its model or physical imperfections. Having serial numbers was a lifesaver for me and made recovering my gear from the police that much faster. Make sure you have serials for each body, each lens, each battery, etc.

And, as my Dad would say while giving me a dirty look and sharing his finger - LOCK YOUR CAR!



Why Sharing Locations is Okay

We've all done it. And after we've been rebuffed for the first time and we try it again, we do so with our teeth clenched and hope for the best, a little scared to open up a reply email.  

I'm talking about approaching another photographer and asking where a shoot took place. 

Location, location, location doesn't just apply to real estate. In the photography world, a location not only serves as a backdrop for your session but can set the whole tone of the resulting photographs. When I begin consulting with my clients, I always ask what look they want - industrial, urban, more earthy and nature-y (is there a better term than my made up one??) or even a beach theme.



These were taken by different photographers in the same area of Old Town Alexandria.

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From time to time, photographers see another artist's work and may fall in love with the location. Maybe it has great textures. Don't get a photographer started on a brick wall painted in some amazing, bright color. It can be creatively stimulating to shoot somewhere new so you'd think we could just reach out to the photographer and find out the location, right?

You'd think.

You may be surprised to learn that many photographers will ignore these kind of questions. If they don't ignore them altogether, they try to be all clever - and vague. "Oh, it's this spot in Richmond." Well, that certainly narrows it down, doesn't it?


These photos were taken by three different photographers, in the same areas of Old Town Alexandria.


Photographers can be very territorial over their locations. I can understand the risk of a location becoming swarmed with photographers. On many weekends when I shoot at the Manassas Battlefields, I have passed by at least 6 photographers. While it's crowded, it's more than manageable. If they're in a spot I'd like to use, I wait my turn or shoot elsewhere until the spot is available. Other photographers are courteous to not be in my shot, and I return the favor. I have only ever had positive experiences with sharing a space with another photographer and their clients. 

My greatest argument for being willing to share the love when it comes to locations is that while two photographers may shoot at the same location, their results will never be the same

What I see and what another photographer sees may be completely different. We can use the exact same tree, the exact same bridge for example and find that we've composed the shots completely different. Our processing will be different. They'll think to shoot using some structural or natural detail in ways I never considered. When two people are handed a bag full of identical materials, very rarely (if ever) will the product they produce look exactly the same. There's no need to be threatened by another photographer. 

I try to live by one rule when it comes to working with other photographers and sharing my tips, tricks or the things I have learned. I don't stand to gain anything by keeping a location to myself, but I can gain so much more by building relationships with my peers and paying it forward.


Thank you to Vanessa Smith Photography, SASS Photography and Emily Alyssa for allowing me to share their photographs with you!

My Favorite Spots at the Washington DC LDS Temple


This past week it was announced that the Washington D.C. LDS Temple will be closing for two years in March of 2018. As a member of The Church of Jesus Christ of Latter-day Saints, LDS (or "Mormon") faith, this was an obvious bummer. As a photographer, I suddenly realized it meant something else - for two years I will not be able to photograph an LDS wedding using the beautiful DC Temple as my backdrop! 




Bless you Michael Scott, as you illustrate my exact reaction to this news.

For those of you who are not familiar with the LDS faith, when two members of the LDS faith marry, we typically do so in an LDS temple in a ceremony called a "sealing". This ceremony is very sacred, which is why it is not photographed. When photographing an LDS wedding, I am actually photographing the couple after their ceremony, as they exit the Temple and are reunited with family and friends. 

The Washington D.C. Temple is revered as one of the most beautiful in all of the more than 150 Mormon Temples. There are so many amazing spots to shoot at when photographing a wedding here. Sealings are smaller, sacred affairs (most rooms don't accommodate more than 50-60 guests), and since there are no aisles or fan-fare, the equivalent of the announcement of the new "Mr. and Mrs." is the bride and groom exiting the Temple for the first time as husband and wife. It's the most important shot of my day!

At the entrance, the doors are covered by an overhang which 1) makes it possible to grab great shots no matter the weather and 2) lends to being a great filter for harsh sunlight. Additionally, with the Temple and it's structure being all white, it is a GREAT reflector of light for me. Family gathers in this area for the big reveal and photographing kids seeing the bride for the first time is always a highlight for me. Who didn't think brides were princesses when they were little??

Washington DC LDS Wedding

Washington DC LDS Wedding


Washington DC LDS Wedding

Just around the back of the entrance to the Temple, are stairs leading up to doors (that aren't an actual used entrance, so no one comes in and out). These are spectacular for family portraits. When you have large groups to shoot, there's just no way to see everyone when you're working only by moving out horizontally. The steps serve as "bleachers" for guests, raising everyone into better view. I've tried to incorporate a huge shot of our couples with guests into as many non-LDS weddings as I can, because it's always a fan favorite and must-have when shooting a Temple wedding!




 At the top of the stairs are fantastic gold doors. Almost every Temple has them, and if not gold, they're usually very ornate and a hot spot for wedding photos. Since the D.C. Temple is massive in size, this area is almost always in the shade. Optimal for portraits and for guests waiting to be filed in and out of formal pictures. The doors are surrounded by granite or some other super shiny black stone (sorry gemologists for the identification fail) in which the couple often reflects back into the portrait. I know that the architects probably didn't design or select materials based on how the building would be used for photos, but kudos guys.

Kudos.




Another spot I like to shoot in are actually the columns that help support the overhang structure outside the front entrance. I didn't always use these in my Temple coverage, but once I realized what soft light they produce, they became one of my must-have shots. (Also, the marble is really cold all year round which is great for my summer couples...DC summers are hot everyone!!)




Of course, I saved the best for last - shooting my gorgeous bride and groom on their wedding day with the Temple in all of it's glory as their backdrop. The Temple symbolizes so much more to members of the LDS faith than an awesome (free) ceremony venue. When you drive on the major highway here in the DC area, you turn a corner and then all of the sudden, the Temple emerges from the trees. It can take your breath away at night, when it's illuminated. Whatever your faith, you can't deny it's an absolutely spectacular structure. 






So, why is it closing?

The Washington D.C. Temple was built in 1974. It's undergone renovations here and there, but when it closes in March of next year, it will undergo a full renovation of it's interior, it's furnishings and update it's mechanical systems. There are other Temples within a few hours drive, but there's a reason why this is such a big deal, especially when it comes to photography. 

Each bride usually has a dream of which particular Temple they want to be married in.

I was married in this Temple. I grew up here, and this was "my Temple". I knew there was nowhere else I wanted to get married. I cannot imagine what would happen if I were to get engaged, and then come to find out "my Temple" won't be open for two years. TWO YEARS! Would I wait? Would I get married in another Temple? Another Temple is great and all... but it wouldn't be "my Temple"! I can only imagine the dilemma some couples will face during the time of the closure. I'm mourning just the loss of having the opportunity to shoot at this magnificent place. 

If you find yourself engaged in the DC area and looking for a photographer to capture your LDS wedding, please know that I will absolutely travel to Philadelphia and other surrounding Temples. I'm available to capture your day, no matter where it may take place!

Tony and Alison's Haymarket Wedding Day

Tony and Alison

Tony and Alison were the perfect clients. Alison knew exactly what she wanted on her wedding day and had planned every last detail to perfection. It showed, from her dress, to the wedding party, to the table settings and dessert table. Alison was not a meek or bashful bride - and I loved it! I got to know Tony and Alison well in the few short months between booking and shooting their big day. It's so rewarding as a photographer to shoot with a couple that values what you do, and gets so excited with the results! I just absolutely adore this couple and I can't think of the last time I had this much fun shooting a reception. I kind of wanted Tony and Alison to adopt me before the night was over..... 

This blog share could be pages and pages long, but here are just some of my favorite images from their spectacular wedding day in Haymarket, during the last week of summer. 



















































Additional Photography: Chance Hammock
Groom's Suit: Davelle Clothiers
Groomsmen Suit: Perry Ellis
Groomsmen Shoes: Gordon Rush
Catering: Regency at Dominion Valley



Mackenzie's Senior Portraits

I've heard of artists talking about having a "muse" plenty - I am an art major after all. I have to say, when I started shooting Mackenzie's senior portraits, a few minutes in, I finally "got it". Yeah, I had that "ah ha" moment. The red hair, her gorgeous smile and her raw talent in front of the camera - I could have shot Mackenzie all evening if the sun hadn't started going down on us! The best part? Mackenzie is as kind and sweet as she is gorgeous. I can't tell you how much I enjoyed working with her. She hasn't declared a school quite yet, but I am sure she will do fantastic wherever her future studies take her!