friday 5

Frequently Asked Five - Photoshop Actions, Cropping, and More!


1. What are your opinion on Photoshop Actions and Lightroom Presets? Do you use them?

I remember when I first started out, I would find a photographer I loved, stalk their website only to find they didn't use photoshop actions. I'd stare at the computer, tears in my eyes, receipts in hand for all the actions I just bought to make myself a certified photographer. Okay, dramatic imagery aside, that was me. I relied a lot on Photoshop actions to get me started. Totally Rad and Florabella were my go-tos.

Now, years on in, I find myself expressing the same sentiment as those photographers that I used to look up to. I no longer rely on actions in my work. I've created a number of my own simply to quicken my workload - a lot of layer masking. I'm able to do this because my in-camera work has come so far in the past few years.

However, using the actions helped me become more familiar with what photoshop was capable of surrounding my images - incredibly helpful coming from a graphic designer background.

2. I love image X, but can you crop out the extra space?

This is a question I get from clients occasionally as they begin ordering their images. Luckily, all of my clients can adjust the crop from within their ordering galleries to whatever they prefer. However, there is a reason behind all that "space". Images in camera are taken at a 2:3 ratio, like that of a 4x6. You’ll notice a 4x6 is rectangular, while an 8x10 is closer to a square. As a result, much of the image is cropped, which is why it is sometimes necessary to leave negative space around my subjects. Not making sense? Visuals for the win!

3. What would you say is the least "fun" part of your job?

Wow. This could be a dangerous question. I had to think about it for a minute. My answer: I can't ever leave work at the office. One of the best parts of my job (not the question Kelli...) is that I make my own schedule and get to spend the day at home with my kids. I still very much consider myself a stay at home mom and family will always come first. As a result, when the kids go to sleep - I go to work. Most working professionals, while they may work late hours, can come home and relax without guilt. There are nights when I'd much rather snuggle on the couch with a blanket and ice cream, but I head to the computer instead. If I take a few hours off at night, it's like missing an entire day of work. I can usually gauge how busy my shooting schedule is by how full my DVR is!

That being said, at this point in my career I have found a healthy balance between family/work/me time. I usually edit and work for a few hours after the kids have gone to bed while simultaneously watching my favorite shows and movies online (bless dual monitors). I make a goal for when I'd like to finish a particular task, and break it up into nightly check lists. Once I've "done good" for the night, I often retreat to the couch or bed and indulge in a little guilty pleasure waiting for me on TV.

Loving what you do is all about balance.

4. How has the crazy DC weather impacted your spring session calendar?

I'm booked, ready and anxious to shoot, but I've already had to reschedule a few sessions because I think we (meteorologists included) all thought it would be warmer by now! Some afternoons I literally want to bang my head on my desk because I am SO DYING TO SHOOT.

5. What is the one thing you never leave behind when heading to a newborn session?


My heater. Hands down. Even with lifestyle sessions, babies spend most of their sessions in a diaper or even in their birthday suit. While you and I might feel fine, it's important to remember babies just spent the past 9 months in a toasty 98.7 degree environment. I have found that the warmer the environment I'm shooting in, the better a baby sleeps when I'm attempting to get those shots of just baby.

More of my must haves for a session will be detailed in my upcoming newborn behind the scenes post that I'm currently working on!

Frequently Asked 5


1. Have you ever considered teaching a class or workshop to teach others how to take good pictures or use their cameras?

When I initially got this email, I think I smiled to myself at my desk, flattered that anyone thought I had anything worth sharing with others. I don't know if it's that I'm humble or still insecure about my work at times, but I still feel like I have so much to learn that I'm not yet ready to branch out and teach others. A lot of photographers that I network with think you should be in business for 5+ years before you even consider teaching others, and while I've been shooting for as long as I can remember, according to the IRS I've only been in business for about 3 years.

Teaching is something I'm passionate about, and it's definitely something I would like to do in the future or get involved in with other photographers.

2. Do you ever entertain trades for your services?

Sure. I've only found a deal worth trading for a handful of times. It really has to work best for both parties in order for a deal to be fair and have it not feel as if anyone is being taken advantage of.

3. What inspired you to make the change from your previous style of newborn photography to a more lifestyle perspective?

"Prop" newborn photography as I call it, just wasn't for me. In order to do it correctly and how I would really want to do it (a bit of a perfectionist here... sorta), I would have to invest in a lot of props, blankets, lighting setups, beanbags, etc. I don't have studio space in my home, so all of these items would have to be stuffed into the trunk of my car. This type of photography is incredibly difficult as most of the shots rely on the baby sleeping and I am just not a baby whisperer! I admire and love looking at the work of photographers who do this type of photography well, but it just wasn't an area I wanted to pursue since I specialize in family photography.

The reason I'm drawn to lifestyle photography is because it's natural. It's clean looking. I think it really captures a baby's first few days at home and the excitement of new parents or new big brothers or sisters. There isn't as much down time while we rearrange backdrops and props, and we don't have to have the baby sleeping in order to get amazing shots. My most favorite images of my kids at home at the ones that are more candid, spur of the moment shots that really focused on just a normal day at home. I think that preference in my own pictures comes out in the work I want to capture for clients.

4. What makes you cringe when you look back at your previous work?

The tilt.

A lot of new photographers do this. I did. I thought it made my pictures look more "artsy". When in reality, I think it just made me look drunk or like I was dizzy while on the job. It wasn't until I finished and delivered one wedding and was mid-shooting another one (for the same family) that the Dad asked that not as many pictures be "crooked".

At first, that really rattled me. It flustered me, I was embarrassed, I was defensive (I'm being artsy!!!) but after about 10 minutes I realized, holy crap, he's right. I had to stop myself from tilting my camera the rest of the wedding and when I went back and looked at the event they were talking about, he was totally right. It was ridiculous how much I was tilting, and how I was relying on that to make my pictures look "artsy" instead of finding more creative compositions.



That constructive criticism has made me a better photographer and I'm so thankful to this person for pointing it out to me.

They - not sure who "they" are - always say that you should never look at another photographers work and start to judge or feel down about your own work. Instead, you should look back at your own work and see how you've grown and developed as a photographer. I look back to some of my very first sessions as I was portfolio building, and even just from a year ago, and see how much I've improved in my technique, editing, and even working with and directing clients. Yes, I may cringe and laugh at my old work, but all that practice is what helped me get to where I am today.

5. What kinds of filters do you use on your lenses?

I don't use filters...

*Waits for other photographers to throw trash at me*

When I first bought my fancy smancy camera, I read all about filters and which ones did what... I bought some, and decided they weren't for me. They just seem to collect dust and every time I've used one, they made my images look horrible. It wasn't until a few months ago when I read an article where the writer had the exact same feels as me, that I felt better about this decision. I know filters have saved the lives of many lenses if they've dropped, but I guess I'm a bit of a gambler!
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Frequently Asked 5


1. How do you compete with photographers charging $100 for a session that includes all of their images?

The answer is that I don't. Under pricing myself to compete with that not only hurts photographers as a whole, but in the end I would be losing money and working for less than minimum wage. Because I run a legitimate business, I have to pay taxes and I incur a lot of expenses a lot of new and up and coming photographers do not. Established and experienced photographers often charge more for their work because of the care, professionalism and service that comes with their experience and talent. As I've said before however, there is a photographer for every budget. The important thing is to find a photographer you trust with a style you love!

2. How do you edit or work on images where your subjects wear glasses?

This is a great question - and especially fitting since my little girl wears corrective lenses. Such a good question in fact that I think I'll save it for a full blog post - stay tuned!

3. If you could only shoot one type of session or event for the rest of your career, what would it be?

Families, hands down. I love weddings - I love the food, the romance, the dress, the paycheck and the cake, but it's a lot of pressure. You only have one chance to get it right and nothing can go wrong. That kind of pressure mixed with a gastrointestinal disorder do not mix =) Babies and newborns are way more work than you would ever expect. I love working with families because they understand direction, family photos never go out of style and everyone needs those memories and keepsakes. I know my family is my greatest treasure - I think my style and bookings reflect that. Still, I love to dip my toes into a little bit of everything to keep challenging and stretching myself creatively and professionally!

4. What do you do during the winter months when your sessions slow down?

I take a break!

Well, that's not totally true. I find myself doing a lot of indoor newborn sessions in the winter months. I also get caught up on a lot of business stuff - getting the blog caught up, writing up some more posts and tutorials, getting a head start on my business taxes for the previous year, ordering new stock of supplies and packaging... just boring business stuff =)

5. What made you move from giving clients CDs to delivering their files digitally?

I'd love to say it was to save the environment, but that would be a lie. The greatest draw for changing systems is delivery time - I can instantly send clients their digital files as soon as they've purchased them. There's no packaging involved, trips to the post office, etc. It's much easier all around and less cost to the client that way.

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Frequently Asked 5

I thought I'd mix things up a little bit and add a bit of fun to my Frequently Asked 5 feature and also enable you to get to know me a little bit better personally as well. Sit back, relax, and don't judge me too harshly =)

5 Things I'm Embarrassed to Admit:

  I don't really follow camera news and improvements. I shoot with what I have, love it, and perfect it in Photoshop. I'm much more into the creative, Photoshop aspects than the technical, scientific camera side of things.
At 28 years old, I am still terrified of opening a can of cresent rolls.
I don't take nearly enough pictures of my own kids.
I bought my first SLR camera (a D80) because I liked the pictures my friends took with theirs. I did zero additional research. Opps.
I almost always forget the husband's name of a family I'm working with 5 minutes after they've told it to me. When in doubt, I refer to him as "Dad". Sneaky, right?

5 Things I Can't Live Without:

My DVR.
My iPhone.
My 85mm lens. Best purchase ever.
Chicken fingers and fries - my go-to meal just about anywhere.
Coke.

5 Things About My Business:

I designed my logo and branding my senior year of college as my final project.
I'm at a place where I love my business structure - my pricing, my policies, my paperwork, etc. I'm past the "portfolio building" and "growing pains" of starting a photography business. I have a workflow that I've perfected and works for me.
I'm legal. I pay taxes, have a federal tax ID number and my brain hurts come tax season.
Right now I'm focusing on adding to my lens collection, not upgrading to the newest and best camera model. A great camera does not always a photographer make.
The greatest reward of doing what I do is walking into a client's home and seeing my pictures in frames or on the walls.

5 Things I'm working on:

Not chopping off limbs in weird places. I move so quickly to frame a shot that sometimes I don't realize this. I'm very critical of my work after the fact.
Losing the baby weight. 10 pounds to go!
Saving for the Nikon 24-70mm 2.8 lens so that I don't have to keep renting it when I shoot the occasional wedding!
Managing an almost 3 year old. Terrible twos? Yeah, give me those any day over this 3 year old tantrum business!
Not stumbling over my words at a session when trying to describe how I want the client to move or position themselves. When in doubt - act it out myself!

5 Things I Wish My Clients Knew:

When it comes to kids, not to stress out or get frustrated when they won't sit perfectly still or smile. I can get a smile and their attention without them realizing it, but parents getting upset or frustrated make the child shut down and my job actually much harder.
Wearing small stripes can make your prints look kind of goofy - almost like a mosaic. They don't photograph well, so it's best to avoid them if you can.
I love what I do.
It's okay to talk, be silly, and forget I'm there. Candids bring out the real emotions in your images!
I can't tag you on Facebook unless we're friends on my personal account. I love it when you tag your own images so your friends can find your images on my page!

Frequently Asked 5



1. I loved your birth post about your son. Do you currently offer birth photography to your clients?

Unfortunately, it's not something I current;y offer or intend to offer in the future. I've toyed with the idea, but being on call and ready to shoot at any time just isn't feasible with my life as a mother of two.  The hours are long and time consuming and just not something I can devote myself to right now. I'd love to still knock "shooting a birth" off my bucket list someday, so never say never!


2. I know you're on maternity leave, but can you tell me when you will be booking clients again? Will you be offering a mini-session for clients on a more limited budget?

There was a part of me that almost - ALMOST - announced that I would be entertaining client inquiries for September today, but I held off when my two year old came up to me begging for "chickens". Motherhood calls! So, I'm not ready to commit to returning to work quite yet, but I expect to start looking at my schedule for the middle/end of September to start taking on clients again!

I am thinking about mini-sessions, whether they're small, quick sessions with clients or one day of multiple clients at a determined location. It all depends.

I'm not very decisive with these questions, am I?  

3. How do you compete with an area full of photographers? Do you ever worry about new competition in your area or sharing too much information for up and comers?

I try to only worry about myself as much as possible. The more you start to examine other businesses or other photographers work, the more insane you're likely to drive yourself. I am lucky that I don't depend on my business for income, but rather it's an outlet for something I love to do. With that mindset, I have tried to find a balance where I'm happy and fulfilled, I am making my clients happy, and that's all I can do.

Regarding "up and comers", I was once an up and comer too. I remember being rebuffed by other photographers, so I try to answer questions as best I can if anyone should ask me. I think there's a difference between someone wanting to learn and reaching out for help and someone trying to one up you or get access to information that would help another photographer under cut you and take your business.

4.
Where are the newborn pictures of your little boy? Will you be doing them yourself or are you going to hire a fellow photographer to capture his first few weeks?




I went back and forth with these same questions for months as my due date approached. I've decided to take the images myself but I'm holding off for another few weeks until I revisit the beaches in North Carolina. What's more fitting for an August baby than a photo shoot on the beach??

5.
Do you ever get tired of shooting at the same locations? Are you open to new suggestions or working at places you've never shot at before?

I wouldn't say I get "tired" of shooting at the same locations. Each client is different, so backdrops at each location can seem completely different and new. I like working at repeat locations because I know the locations and it's like I have a "cheat sheet", knowing my way around and places I want to photograph at. 

However, I love working at new locations. I love having a long list of places to choose from, so I'm always looking to add to it. It's also a challenge to work where I've never shot before - it keeps my creativity fresh and I have to work harder to find the "perfect spots" or see the end result before I've even snapped a picture.

*Note: I'm not an expert. I don't pretend to be! These are simply my opinions and experiences during my time as a professional photographer.
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